2009

Simon Fisk: Bass
Chris Gestrin: Piano
Jerry Granelli: drums

The embodiment of sensitivity, bassist/composer Simon Fisk’s trio, with versatile pianist Chris Gestrin and legendary drummer Jerry Granelli, carry on deep conversations. But, tellingly, all the while they listen intently to what each other is saying and react with intelligence grounded in song-form musicality. From the improvised “Freedom Suite,” with Fisk’s haunting/ominous ostinato and the piano/drum back-and-forth, to the uplifting lyricism of “Get Caught Up,” the trio’s ability to play freely without and within is captivating. “Drum and Bass” shows clearly why Fisk chose veteran Granelli, who brings a depth of technique and breadth of imagination to the instrumental sparring. Gestrin’s contributions are especially noteworthy. Yes, he plays his ass off but what makes the biggest impression is his inspired takes on the leader’s tunes; he makes each one sing. Also worth mentioning are the pristine clarity and woody warmth of the CD’s sound. (Plunge)

By Glen Hall, Exclaim

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Jazz bassist’s latest outing as a group leader flows effortlessly.

Take a deep breath. Relax. Now listen to the newest CD from jazz bassist Simon Fisk. Unless is definitely transcendent, spiritual, and contemplative. This is intentional, since Fisk, Chris Gestrin and Jerry Granelli have given us a CD title with a deep message. As Fisk describes it, we all have an obligation to be genuine, seek truth and be humble. Without that, we can’t create better music or become better individuals.

That commitment shows in this, Fisk’s fifth outing as a group leader. There is clear balance, tight energy and calm in this disc. It stems partly from the compositions, most of them penned by Fisk, but it’s also in the careful order of these selections. The album’s contemplative mood begins with “Get Caught Up,” then moves to the gritty “Depth of Field” featuring Granelli’s drumwork and Gestrin’s aggressive piano and into 10 more selections.

They all move effortlessly, flowing from Fisk’s material into compositions from other trio members and through a nod to the Nat Adderley composition “Old Country.” Throughout, this album offers powerful piano from Gestrin, inspired drumwork from Granelli and firm grounding from Fisk’s bass.

Published July 30, 2009: Fast Forward Weekly by Dennis Slater in CD Reviews

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